I don't want your money

I don't want your money. Not a single dime. Not right now anyway. But I would like your time. More importantly, I’d like to be a good steward of your time.

My debut horror novel The Congregation is out there and ready to devour. I hope it turns bestseller and moves more than a million. Even at the low $3.19 price point, I’d be a rich man.

But it’s more important to me at this juncture to know I’m delivering quality product to my readers. If you’re a fan of the scary, the gory, the grotesque, or the unknown, I’m sure you’ll love the book. If you’re not, then I’d still like to give you your Christmas present early along with a personal thank-you.

Subscribe to my blog by Dec. 1, 2011. I’ll send a coupon code you can then take to Smashwords. Use it to download my book free to the Nook, Kindle, iPad, or derivative thereof. It’s that simple.

Ultimately, I want an audience. A big one. But how’m I gonna do that without you?

One more thing: after you’re done, I’d be eternally grateful if you did two things for me. One, review it. Choose sites like BN.com and Amazon.com or write a review on your own blog. After that, tell your FB friends, Twitter followers, or, God forbid, people you actually see face-to-face.

(Technology abuse—me preacher, me choir.)

Now I've said all that, let me say this: my email address is aric dot mitchell at gmail dot com, and as long as you're not a spamming crap-face, I want you to abuse it. Send me links to your reviews. Talk shop with me about anything horror/writing/book and movie related. You WILL be hearing back from me. With close to 2,000 Twitter followers and more than 800 Facebook friends, it may be a week or two, but you’ll hear from me.

I may make my living with words, but, last I checked, my name wasn’t King or Koontz. Good writing doesn’t happen in a vacuum, and the only way I can deliver high quality horror to your eReaders book-after-book is by knowing what you like and what you don’t. So let's start a conversation.

If you’re just dying to give me money, The Congregation is now available at Amazon and Barnes and Noble directly. That’s where I’d like you to direct your friends. You can also get it on the iPad by using the Kindle or BN apps. Should be available on iBooks in another two weeks, but why wait?

And Merry Christmas, Happy Hanukah. Awesome time of year, friends!

In Defense of Crappy Writers

I try not to get caught up in the “us versus them” mentality that often goes on between legacy publishers and independent authors. If you ever want a good debate on the subject, you’d be better off checking out Joe Konrath’s blog, where the topic is touched on almost daily.

But one thing I hear a lot of in the writing community—from both my legacy and indie friends, and yes, it’s okay to have both—is that bad writers are going to ruin things for everyone. Being a contrarian by nature, it was only a matter of time before I was forced into this blog post:

In Defense of Crappy Writers…

That’s right. I’m going to defend authors, who go to market too quickly, refuse to get help from an outside source, and are incapable of proofreading. Indies think bad writers make them look bad. Legacy guys think they create too many distractions for readers, and a distracted reader is a reader, who isn’t buying their book. And virtually all of us, who may not be the greatest writers in the world but know how to weave a yarn, get insulted that offensively bad writers even attempt to do what we do.

We need more gatekeepers. Crappy self-pubbers give indies a bad name! I’ve heard it all, but I’m not convinced. If that’s what you think, consider this:

We need them. You, me, and indies everywhere. And so do legacy publishers. If every person, who ever published a book was a masterpiece writer, the market would be saturated beyond belief. The next Ernest Hemingway could easily go unnoticed. There would be no way to distinguish good writing from piss-poor. We’d all be great, and, subsequently, ignored.

Writing a bestseller is hard, people. The writing is important, but it’s not the only thing that goes into it. You need to proof your book till it shines like gold. You need to hand it off to a brain you can trust. One who will read it and tear it apart. You need to lick your wounds and declare yourself too stupid to write another word before finally getting past the criticism and using the constructive remarks to make it a better book.

You need to get on the social networks and build a Twitter / Facebook following. You need to write blog posts that people may actually find informational, enlightening, entertaining, or inspirational. You need to fight discouragement when your book isn’t selling by writing another book. And you need to go through the entire process again and again and again until the world gets the point that you’re not going away.

It’s the 21^st Century, and there are more opportunities than ever before to find your audience. Write well, write often, finish what you start, and connect with people. Don’t wait for Amazon to algorithm your book to the top. They won’t. Keep writing. Keep connecting. Build authentic relationships with people, and the rest will fall into place.

Crappy writers are not stopping you from doing that, and they’re not stealing your potential audience. They’re proving themselves to be crappy writers, and they’re making your book look that much better when it is finally discovered. Furthermore, they are making your eventual audience grateful to you for providing a good story at a good price.

Bitching doesn’t help. Forming a new body of indie gatekeepers won’t either. Only writing the best book that you know how to write, not becoming discouraged, and continuing to do what you love until you break through or don’t love it anymore will help. Those are the keys to success.

So the next time you buy a 150,000-word tome for 99 cents and pick out 18 spelling and grammar issues on the first page, thank the author. Oh, not personally. That would be tacky, and staying positive is a far better way to live. I mean inside your head. Because when your book finds its audience, that writer is going to make your work stand out.

Joe Konrath has a philosophy: cream will rise to the top. But it can’t do that unless there’s a bottom.